最后20分钟扳回来了一星…

一切都是加法，一切都是混乱，以为要满溢出来了，最后却落得一片虚无。

靠情绪推动的电影，故事小问题非常多，不明白为什么宁可加入这么漂亮的特效，加入这么多冗余情节导致逻辑出问题，也还要硬抻到2个多小时。虽然萨弗迪兄弟的丑陋纽约系列不是我的菜，但是他们拍片气氛状态我喜欢，专业非专业演员来了都能投入，现场应该也加了不少即兴内容。

2.5; The overlapping dialogue, the yelling, the agitation, the hysteria - I get it. I get it the first time, I can appreciate it the second time, I become indifferent the third time, I am bored and tired the fourth time and absolutely sick of it in the end. There's no need to do it, to overdo it, again and again, until the last bit of an audience's patience wears away. Maybe that's exactly your point - I get that too, but it makes your film unpleasant and obnoxious. And that's fine because film has every right to be unpleasant - FOR GOOD REASONS. Does your film have good reasons to be this unpleasant, so as to give your audience a headache and nausea for two hours straight? I think not.

荒谬、侵略、疯癫、刺痛，喷薄而出的欲望与风卷残云的命数彼此对望。导演扭动男主在纽约街头持续暴走，于紧密的画幅与剪辑中寻找破口，结局以冲势的加速度反手落为坠势，将爆炸式的回响瞬间静音。比起《天知道》与《好时光》，更有意以自省视角在社会夹缝中求生、求饶。